String Diamonds Finish

The last time I talked about the String Diamonds quilt (post here), I was in the process of piecing it on foundations of telephone book paper.  I got them all done, trimmed, and papers removed.  They made such a pretty stack.

I played with the layout a bit on the design wall, as you do, and then gathered the pieces back up into stacks of labeled rows and put them aside while I made the wedding quilt.

When the wedding quilt was at the longarmer, I started putting the String Diamonds top together.  I quickly realized that where the narrow points came together, it was going to take some friendly coercion to get those seams to lie flat. 

I was reminded of a day in the 1970s when I heard a noise coming from my mother's sewing room, and I entered to find her standing over the ironing board wielding a thingamabob she'd had to purchase for the tailoring class she was taking.  

(Dritz point presser and pounding block)

Now being of the "spare the rod..." generation, my mom was no stranger to whacking things into submission, but what in the world did that polyester double-knit ever do to her?

That's when she explained that she was using her wood block to get a seam in her blazer to lie flat (I think it was a pocket detail), as she'd been taught in class.  Ah, so this was really a legit thing!

Back to my String Diamonds top, I probably still have my mom's old point presser and pounding block somewhere packed away, but I was too lazy to go looking.  So I grabbed the closest thing from the pegboard above the workbench a few feet away.  It worked, but...

It also dented my ironing board.  So after the first few blows, I grabbed a piece of scrap wood and put it between the underside of the quilt top and the ironing board.  That, and a hot steam iron, worked like a charm!

I've really been trying to use my stash as much as I can and avoid the stores.  I actually don't mind having some limitations; it gives me an opportunity to think more creatively and often leads to some interesting choices.  

Take, for instance, the backing I used on the String Diamonds.  I had a big old bunch of it (a thrift store find, I think...either that or among the things a friend gave me when she was helping her mother destash).  I thought I might use it for the back of a girl's quilt at some point.

Well, I'm a girl, and why not? I thought to myself as I was looking for backing options for String Diamonds.  It may be an older fabric, but it's fun looking and playful.  I'm all for that.

I quilted this one in a simple meander with multicolor thread.  That's something else I seemed to have plenty of, so why not use it.

This is my new TV-watching throw for winter.  Currently, we're watching The Crown (love!), but before that we binged The Queen's Gambit on Netflix (also very much enjoyed).  I highly recommend both.  As well, there's been The Voice on network TV.  There are some wonderful singers this season, as always.  Interesting how they've managed to make the show work within pandemic-required restrictions.

Wedding Quilt

 I was waiting for a mid-October wedding to take place before I showed you the quilt I was making for it.  And now I've waited another month...for good measure? 

(Neighbor's tree on Sept. 30)

Well, better late than never, as they say.  Although the latter briefly passed through my mind, as apathetic as I appear to be toward writing anything down lately.

(Same tree on Oct. 10)

The inspiration for this quilt came from an image I ran across on Pinterest, unfortunately with no origin story, website, or reference as to its maker, so I don't know who to thank for it.  If you recognize it, let me know so I can give proper credit.

(Inspiration Quilt, Maker Unknown)

I did a little doodling on graph paper to get the numbers worked out, and then set about cutting out a lot of squares from background fabric and multiple batik fat quarters, and then making roughly a bazillion half-square triangles.

I ran out of room on the design wall as I was laying out the pieces, which should have been a good clue that I might have a size issue.  

There is a certain size I try not to exceed if I'm going to quilt something myself, which was my intention with this wedding quilt.

But I forged ahead anyway, sewed it all together, and then put the quilt top on the living room floor.  And that is when reality hit, ushering in a plot twist:  Contact my local longarm quilter and see if there was any possibility she could quilt this wedding quilt for me within two weeks.

I fully expected the answer to be a kind no, but to my surprise she said she could do it!  Thank you, Sandy, for saving the day!

The happy couple, my brother and his new bride, say they love it and that it now occupies a special spot on the back of the sofa.  I hope they enjoy snuggling together with it in the months and years ahead!

String Diamonds

Currently in the works is a string diamonds quilt based on the "Diamonds Are Forever" pattern from the book String Quilt Revival by Virginia Baker and Barbara Sanders.

I've had the book for a few years, and the instructions call for using a stabilizer called Sheer Delite to sew the string blocks onto.  It doesn't get removed, just becomes part of the quilt.

Well, try to find that stuff now.  After spending (too much) time searching the internet, it seems to me they may not make it anymore.  Or maybe it's sold under a different name.

So I figured I'd just use my trusty, old faithful phone book pages as foundations.  I have to remove the papers, of course, but I'm no stranger to that process and don't mind doing it.  It's a good thing to do while listening to an audiobook.  I just finished The Alchemist by Paulo Coelho through my local library, using the RB Digital app.

In searching for information on the stabilizer for the quilt, I happened upon a YouTube video tutorial by Tea Quilts. She was also using paper foundations to piece her "Diamonds Are Forever" quilt.  Excellent tutorial, by the way, and she includes instructions to make the kite-shaped template in the description box below the video (click on "Show More" to expand the box).

I use a diagonal line of Elmer's washable glue stick to secure the kite shaped piece to the diagonal of the paper, then just line up my strings along the straight edge and sew away.  No pinning required.  I work on about four blocks at a time, chain piecing them through the machine.  It hasn't been a problem to remove the paper where the glue was.  Even after pressing the block, the glue releases cleanly and there's no problem with tackiness on the fabric.

At first I was going to use black for the background fabric, i.e. the fabric you cut the kite-shaped pieces out of.  But after I made a few sample blocks, I wasn't in love with that color scheme.  Nothing else in the quilting fabric stash really grabbed my attention, but luckily I spotted a big piece of teal colored linen-like fabric that I'd bought to make a dress.  Well, the dress never happened and wasn't going to happen, so I tried making a few string blocks with the teal fabric and loved it!

I think it's cotton (or mostly, anyway).  I remember buying it at JOANN years ago from among the garment fabric bolts.  The weave is somewhat coarser in texture, but it drapes and presses well.  It seems to be doing very nicely in this quilt.

Man, there are some weird, wild, and wonderful fabrics in this baby!  I'm just grabbing from the scraps and strings buckets and bins as I go, trying not to overthink anything.  It's pretty amazing how little of a dent I've made in the strings so far.  Hopefully by the time I get done, I'll notice a reduction.

I've also prewashed and pressed fabric for another quilt that I need to get started on soon.  A whole lot of batik fat quarters here.  This quilt will need to be ready to gift in several weeks' time, so I may have to interrupt the string diamonds quilt to work on that.

I'm probably not going to be able to reveal much more about the batik project while I'm working on it in case the giftee reads this blog.  But I'll be sure to take lots of pictures that I can show after it's all done and delivered!

Peaks and Valleys

Many years ago, before I had my own blog and when I was just getting into quilting, I followed a few other quilt blogs and made mental note of the quilts I'd like to make some day.  This was before Pinterest, so I likely had those sources of inspiration bookmarked in my browser, in some less-than-ideally-organized system of folders and subfolders.  Sort of like my old recipe files where ripped out magazine pages and scribbled cooking instructions were tossed willy-nilly.  

Who am I kidding, I still do that with recipes.  Only now I'm printing them from the internet instead of ripping them out of magazines.  

Anyway, I finally made one of those quilts I'd unofficially bucket listed all those years ago.  The memory of it drifted back into my awareness as I was making an effort to organize the pile of thrifted shirts on a table in the sewing room.  (Hm, sensing a theme?)

Here is the link to the quilt that inspired me way back when.  Lynn called hers "Dragon's Teeth," but the pattern the quilt is based on is called "Lounge Lizards" by Karla Alexander, found in her book Stack a New Deck.  Somehow, in the intervening years, I'd bought two books by Karla Alexander, but not that one.  So first I had to buy the book I needed. 

I'd been using some solid scraps on the interior sides of the masks I was making, so was in and out of the box of solids regularly.  With this new project in mind, I sorted through the solids and put aside the colors I liked that were also big enough pieces to use.  I decided the background shirt plaids would be mostly blue, to give a sense of cohesion to the background and let the colorful peaks take the spotlight.

Sometimes a quilt is limited in size to the fabric one has available.   That was especially true for this quilt, since it was being made during coronavirus lock down.  I wasn't going to be going to a fabric store (or thrift store) anytime soon.  Although, ideally, I would have made a throw size, this ended up to be baby quilt size, which was just fine.

Once I had the blocks made, it was time to play with the layout on the design wall.  I tried three different configurations.

(Option 1)

(Option 2)

(Option 3)

Ultimately, I chose to go with Option 3, alternating columns of upward peaks and downward valleys.  

As I was putting it together, I thought of possible quilt names.  Maybe "Hide and Seek with Gnomes"?  "Plaid Peaks"?  "Peaks and Valleys?"  

When I posted a picture on Facebook, my cousin Juli said she saw "Vests and Pants."  That made me laugh!  (Once you see it, it's hard to un-see!)

I used a piece of fabric for the backing that had been in the stash for a very long time.  I'd originally intended to make a bag with it, but the statute of limitations had run on that idea, so it was fair game for this project.

Overall, I'm very happy with how it turned out, and I could see making a larger one, throw size, in the future.

I had one leftover block, which, after some multicolored wavy vertical line quilting, became a little mug rug.

There were also a bunch of leftover plaid triangles (cutouts from where the solid triangles went).  I sewed these together and then cut randomly shaped triangles from the made fabric.  

I envision a mini-quilt where these little "trees" are appliqued on a background.  Maybe a winter theme of some kind.  Don't you just love inspiring leftovers?

Linking to:  Can I Get A Whoop-Whoop?

Watching and Listening

I wanted to tell you about a series I just finished watching on Amazon Prime over the past few days called A Stitch in Time.  My daughter tipped me off to it recently.  She thought it'd be something I liked, and boy, she was right!

A short description from IMDB reads: "Fashion historian Amber Butchart fuses biography, art and the history of fashion as she explores the lives of historical figures by examining the clothes that they wore."

For me, it ticked all the boxes.  Historical methods of clothing construction?  Check!  Art history?  Check!  Social and cultural conditions from the period?  Check!

In each episode, a small team of historical costumiers recreate a garment depicted in a period painting, which the show's host then models at the end of the episode.  They use materials and sewing methods that would have been used during that period.  The presenter may visit museums where similar pieces of clothing are held and preserved.  The garment is discussed in terms of how the fabric was produced at that time, what societal issues were in play, etc.

My only wish is that each episode were longer...and that there were more than one season.  Okay, that's two wishes.

It was originally produced in 2016 and, I assume, aired on British TV at the time.  I'm not sure how long it's been available on Prime.  I think it's also available on AcornTV.

Anyway, I loved it!  Maybe you will, too.

I listen to a lot of podcasts while I'm sewing.  Some of my favorites are Revisionist History with Malcolm Gladwell, Hidden Brain, This American Life, Armchair Expert with Dax Shepard, WTF with Marc Maron, and many more.

Usually that's more than enough to keep me occupied in any given week, but the other day I explored a couple of recommendations that popped up for sewing-related podcasts.

One that I liked is called Stitch Please.  I've listened to about three episodes so far but plan to go back and listen to more.  I especially enjoyed the episode called "Sewing Supplies Beyond the Fabric Store."  Check it out in the link or wherever you get your podcasts (I use the Stitcher app).

And I am late to the party for The Great British Baking Show, but I've also been working my way back through all the seasons of that on Netflix during the past couple months.  Love it!  That was another one my daughter suggested a year or more ago already.  Took me a while to get around to it, but I'm glad I did.

One of the reasons I hesitated was because I thought watching it would make me want to bake (hence eat) more sweets, and I already struggle with keeping my sweet tooth in check.  But it really hasn't had that effect, thankfully. 

I thought I knew how to bake pretty well, but it turns out there's a LOT I don't know (like, most things!).  Getting to know the contestants and seeing their creativity shine through in their bakes is a treat.  And who can resist the way Paul Hollywood says "spoonge" or those ice-blue eyes?

How about you?  Any recommendations for must-see series, movies, or podcasts?